American-born Grace Gibson established one of the most successful radio production companies in the world. We celebrate her career by sharing some of the vintage radio dramas she produced.
We are sharing full episodes of several radio series made by Grace Gibson Productions, including Carter Brown Mystery Theatre (1957), The Golden Cobweb (1956) and Unknown Quantity (1956).
In our Women in Radio curated collection, you'll also find episodes of Dragnet (1952), Philip Marlowe Investigates (1953), Lady in Distress (1950), Mystery is My Hobby (1954) and All This and Heaven Too (1963).
Gibson formed Grace Gibson Radio Productions in 1944, and it became one of the most successful creators of radio drama in the world. Though she concentrated on the sales side of the business, Gibson could recognise a good script and was noted for her skill at spotting talent.
Grace Gibson nurtured new voices as well as providing employment for veterans. The episodes in the collection feature major stars from the world of Australian radio drama, like actors Lloyd Berrell, Guy Doleman, Lyndall Barbour and Ruth Cracknell.
This episode is an adaptation of the Carter Brown detective novel Curves For A Coroner (1955), about a group of entertainers stuck in the English countryside in the middle of a snowstorm. They soon get entangled in a mystery and discover a secret in the cellar:
Carter Brown Mystery Theatre: Curves for a Coroner, 1957. Courtesy: Grace Gibson Productions. NFSA titles: 219806 and 219807
Grace Gibson Productions bought and adapted scripts by established American series – like Dragnet and Mystery is My Hobby – but also developed original scripts.
Gibson was adept at selling her serials for broadcast in Australia but also to New Zealand, South Africa, Canada and the British West Indies.
The episodes in our Women in Radio collection illustrate the typical attributes of Australian radio drama from the 1950s. The industry was known for the quality and versatility of the actors and scriptwriters and the speed at which episodes were created.
Talent was home grown but also infused by New Zealanders, who moved to Australia for greater career opportunities, and by touring actors from Britain.
Individuals typically worked across Australian drama production houses, travelling between the main centres of Sydney and Melbourne.
Grace Gibson Productions continued to make serials longer than other production houses, many of whom had shut their doors by the 1960s.
Gibson sold the company in 1978 but they continued to have success with dramas like The Castlereagh Line in 1982.
Main image: Grace Gibson with her close associates (left–right): actor-producer John Saul, Grace Gibson, senior producer Lawrence H Cecil and manager Betty Barnard. NFSA title: 716404. Courtesy: Grace Gibson Productions.
This collection celebrates the women who played an important professional role during Australia’s early years of radio broadcasting.
Women played an important role during Australia’s early years of radio broadcasting. We look at the pioneering contribution of Grace Gibson.
We're sharing three full-length episodes of popular horror and thriller radio serials of the 1940s and '50s.
The National Film and Sound Archive of Australia acknowledges Australia’s Aboriginal and Torres Strait Islander peoples as the Traditional Custodians of the land on which we work and live and gives respect to their Elders both past and present.
