Ari (Alex Dimitriades) dances a males-only traditional Greek dance in the ‘Steki’, admired by the man he has gone there to meet, Sean (Julian Garner) and Sean’s date, Ariadne (Katerina Kotsonis).

Lena (Jamilla Frail) and Vaughn (Luke Carroll) walking on the road. A car pulls up. Vaughn talks to the driver, his friend (Allan Campbell). Lena stands a little distant, disinterested.

A long dirt road stretches ahead. A watch is held up. Lena (Jamilla Frail) is walking ahead of Vaughn (Luke Carroll). Vaughn on crutches wants to stop because it hurts. Lena doesn’t want to stop.

In a montage of footage from 1970s feminist films, interlaced by narration and music, the clip proposes the notion of a new sisterhood. Summary by Adrienne Parr.

Using still photographs, personal narration, quoted correspondence and music, the mid-20th century history of the maternal side of the filmmaker’s family is detailed.

Using still photographs, personal narration, quoted correspondence and music, the early 20th century history of the maternal side of the filmmaker’s family is detailed.

Ari (Alex Dimitriades), Joe (Damien Fotiou) and Joe’s fiancé Dina (Dona Kaskanis) are at the ‘Steki’, a Greek nightclub, when Betty (Elena Mandalis) arrives, looking distraught.

Ari (Alex Dimitriades) comes home to a hostile reception from his father Dimitri (Tony Nikolakopoulos) and his mother Sophia (Eugenia Fragos), after being out all night.

Frank Byrne, Stolen Generations senior case workers Heather Shearer and Justin Howard, director Mitch Torres and Julie Hayden from the Department of Indigenous Affairs sit around a table.

Zita is sitting on a stool feeding a poddy calf. In voice-over Aggie Abbott says most children who were taken away never returned to their country.