This photograph shows (left to right) Molly Brownless, producer Mike Ramsden and master controller Max Maxwell in the TCN9 control room on 16 September 1956. 

In the fourth of a 5-part series, Dr Jeannine Baker reveals some of the women who shaped and redefined television content for women and children.

The woman in this slide is wearing a dress with a big skirt supported by a bustle. This type of dress was worn by wealthy women around the 1880s and dates from the late Victorian era.

The woman depicted in this hand-coloured glass slide is wearing a dress from the Victorian era (approximately 1850s). The slide was part of an educational slide-show presented to Berlei f

In 1926 Berlei and physiologists from the University of Sydney did an anthropometric survey of 6000 Australian women (of European descent) in order to find different figure type

Like all successful advertising this glass slide image sells much more than just the product - Berlei's 'side fastening wrap-on [corset] for medium average figures'.

In this report about female rock groups Fanny and Pride of Women, Lillian Roxon’s passion for the advancement of women in rock shines through.

It’s obvious from this recording that Lillian Roxon prides herself on being able to identify which acts will make it big.

Students from Parramatta Central Home Science High School in Sydney model dresses they have made. The designs are inspired by French fashion.

This experimental film rearranges the same sentence 22 times: ‘A famous filmmaker said: “Cinema is the history of men filming women”’, while deconstructing the video image of a woman bathing in a w